A Column for Sally Hemings

ARTIST: MARTIN PURYEAR
MEDIUM: CAST IRON, MARBLE
DIMENSIONS: 80 × 15¾ × 15¾ INCHES; 203 × 40 × 40 CM

Martin Puryear’s “A Column for Sally Hemings” was born for his exhibition at the 58th Venice Biennale’s United States Pavilion. Its fluted base mirrored the Doric columns of Thomas Jefferson’s Monticello, where enslaved Sally Hemings, the mother of six of Jefferson’s children, lived. The sculpture’s profound dedication to her memory is evident in the title. Atop the column, a shackled cast-iron stake disrupts the classical perfection, a recurring motif seen in Puryear’s recent works like “Shackled” and “Big Bling.” This powerful piece intertwines history and contemporary symbolism, inviting reflection on the enduring impact of slavery and the resilience of the human spirit.

An elderly man, wearing a face mask and apron, carves a tall, textured sculpture resembling a historical figure in his workshop. Surrounded by tools, a yellow ladder, and red lockers in the well-lit industrial space, he crafts with precision and passion.

Artist Martin Puryear collaborated extensively with the skilled team at Quarra, engaging in a process that spanned multiple stages of the creative process. 

At the outset, Puryear and the Quarra team worked hand-in-hand on the fabrication drawings, meticulously ensuring a flawless translation of the original wood sculpture into stone. Guided by Puryear’s discerning eye and the expertise of the Quarra team they chose a pristine white marble sourced from the quarries of Italy, known as Bianco P. 

Puryear’s visited the Quarra workshop to collaborate directly with the skilled craftsmen. He created custom tools for the craftsmen, empowering them to explore innovative ways of working with the marble.  This hands-on approach not only deepened the bond between the artist and the team but also allowed for an exchange of ideas and techniques that enriched the creative process.

A large yellow front loader is carefully transporting a massive white rectangular block, reminiscent of a column, on its forks. The machine moves across the wet asphalt, with a red pickup and other vehicles parked in the background under a cloudy sky.
A wooden palette with essential woodworking tools, including a chisel, rasp, and carving knife, lies on a concrete floor. Beside it stands a column-like structure with a wavy surface, possibly part of an important woodworking project inspired by Sally Hemings.
Close-up of a white ceramic pumpkin with grooves and a brown stem, standing as prominently as an important column against a blurred background.
In a dimly lit image, a vertical, pleated white object resembling an umbrella or lamp creates an enigmatic aura. Its column-like shape stands out against the dark, indistinct background, enhancing the mysterious atmosphere.

News

In a Pietrasanta workshop, two people in work clothes measure and mark lines on a large white stone slab; one kneels while the other leans over, both focused on their task amid tools and materials—a true Mentorship Spotlight.

Mentorship Spotlight: Rachele Pierini Visits from Pietrasanta

​Last week, Quarra Stone welcomed Rachele Pierini, a master craftswoman from Pietrasanta, Italy, renowned for its rich marble artistry heritage. Her visit fostered a hands-on mentorship, bridging centuries of stoneworking tradition and enhancing our team’s skills. This collaboration underscores our commitment to preserving and evolving the timeless art of stone carving through meaningful partnerships.
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